This work explores the simultaneous presentation of multiple time zones by exploring the interplay of time and light. Situated at the intersection of photography and video, it manipulates light and time to probe how experience can be generated, stored, and depicted.
By deconstructing the subject during recording and reassembling it during representation, the work examines photography's capability to present past and present tenses concurrently. This deconstruction and reconstruction process unveils a past and a present that coexist equally.