Archived entries for digital
Leslie Nooteboom
komorebi is a platform that uses a robotic projector and generative projections to replicate the natural reflections and shadows of sunlight. komorebi can create sunlight filtering through leaves or a dance of light and shadow
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Daria Jelonek
Technological Nature is an art research project investigating the imitation, recreation and augmentation of natural phenomena in our everyday life.
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Evan Roth
Silhouettes – The individual compositions are composed from pieces of the artist’s own Internet browsing data and based on standardized internet advertising proportions.
Technical Earth
![interferenc+[dac]-+single+unit+closeup](http://rood.co.nz/blog/wp-content/uploads/2017/06/interferencdac-singleunitcloseup-300x200.jpg)
interference
Mo H. Zareei and Jim Murphy
Explores the combination and interaction of waveforms in one medium with those of another.
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Google Arts & Culture – experiments
Experiments at the crossroads of art and technology, created by artists and creative coders with Google Arts & Culture
Unthinking Photography
Unthinking Photography is an online platform for mapping and
responding to photography’s role in contemporary culture.
..we suggest an unthinking of photography from its traditional conceptions.
Dries Depoorter
Gradient Lamp
The lamp is connected to the internet and extracts the color of the sky in 2 found surveillance cameras that are on the exact other side of the world. One is in Asia and the other in America. The lamp is in constant motion following the skycolor of both earth sides.
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2 online webcams. 2 tracked pixels
Claire Hentschker
Shining360 (2016) is a 30-minute audio-visual experiment
derived from the physical space within Stanley Kubrick’s film ‘The Shining.’
(photogrammetry)
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Matteo Crivella
“Markov Decisions” is a Generative Audio System that combines
stochastic processes and sonic behaviors of matter.
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Daniel Rybakken
daylight entrance
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Straw Camera
Michael (Mick) Farrell and Cliff Haynes
32,000 10-inch black drinking straw “lenses” that each provided the camera with an f/127 aperture.
strawcamera.com
Carsten Nicolai
unicolor 2014
“the installation unicolor examines the psychology of color perception..”
Juliet Ferguson
Stolen Images
Does photography demand a presence or are photographs taken using appropriated cameras controlled from another country in another time zone just as valid as ‘created’ images?
Artists and machine intelligence
Art has always existed in a complex, symbiotic and continually evolving relationship with the technological capabilities of a culture.
self-regulating systems
Feedback Machines
Project at the Köln International School of Design, Cologne.
Feedback loops are one of the main principles in the control and regulation of autonomous machines.
Domenico Quaranta
Collect the WWWorld. The Artist as Archivist in the Internet Age
a book about endless archives, image collections, bees plundering from flower to flower and hunters crawling through the online wilderness.
Thompson and Craighead
light from tomorrow
It centres on an expedition to The Kingdom of Tonga, where tomorrow’s outdoor light-readings are broadcast in close to real time through The International Dateline to today; specifically to a lightbox installed in the San Jose Museum of Art in California.
Daniel Watkins
All My Friends
A sonification project in which I acquired portraits of my friends, and used the raw JPEG data to convert the images to piano music. The music is then dubbed on to cassette tapes which are then arranged to add a sculptural element to the project.
Simon Weckert
In the shadow of the darkness
The two objects are pointing to the moon and the sun. The LED lights represent the movement and the brightness of the two planets as seen from the centre of the earth in real-time.
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New Aesthetic
The New Aesthetic is a term, coined by James Bridle, used to refer to the increasing appearance of the visual language of digital technology and the Internet in the physical world, and the blending of virtual and physical.
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Jesse England
His output comprises a variety of gadgets, books, videos and assorted ephemera which comment on the changing landscape of contemporary media generation and consumption.
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Andreas Müller-Pohle
Blind Genes. 2002
Following on Digital Scores, which represent the world’s first photograph (Niépce, 1826) in various digital encodings, Blind Genes are derived from a genetic database.
Adrian Sauer
16,777,216 colors, 125 x 476, Digital C-Print, 2010
Each one of the possible 16,777,216 colours in the 8-bit color mode
is represented exactly one time, and randomly distributed, in the picture
Helmut Smits
Dead Pixel in Google Earth
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James Bridle
Robot readable World– Waving at the Machines
transcript
Centre for the Study of the Networked Image
The Centre brings together a group of researchers who are seeking new knowledge and understanding of how network and computational culture has and is changing the production and reception of art and photography.
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AfterSherrieLevine
In 1936 Walker Evans photographed the Burroughs, a family of sharecroppers in Depression era Alabama. In 1979 in Sherrie Levine rephotographed Walker Evans’ photographs from the exhibition catalog “First and Last.” In 2001 Michael Mandiberg scanned these same photographs, and created AfterWalkerEvans.com and AfterSherrieLevine.com to facilitate their dissemination as a comment on how we come to know information in this burgeoning digital age.
aftersherrielevine.com
Dina Kelberman
I’m Google
is an ongoing tumblr blog in which batches of images and
videos that I cull from the internet are compiled into a
long stream-of-consciousness.
Doug Rickards
A New American Picture depicts American street scenes,
located using the internet platform Google Street View.
Zak Ziebell
Contrascanned
3d models that have been “stolen” from videos
or photographs unintended for photogrammetric use.
Ishac Bertran
Generative Photography
Generative Photography is an exploration within the fields
of photography and generative art.
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Andre Pinkowski
A Reconstruction of Codes
Singer Liz McClarnon opening the New Look Shop in Liverpool, UK.
Joachim Sauter
The installation references a form of communication that has almost been consigned to oblivion: the use of a mirror and sunlight to exchange information over long distances.
H3333333K !Mediengruppe Bitnik
For H3333333K !Mediengruppe Bitnik translate a digital image error, a glitch, onto the façade of the museum «House of Electronic Arts Basel» (HeK). Applied directly onto the architecture of the building, the glitch misaligns the elements of the façade, bringing disturbance to an otherwise settled structure.
Large-scale Image Memorability
LaMem is an attempt to predict the memorability of an image.
This work demonstrates that one can now robustly estimate the memorability of images from many different classes, positioning memorability and deep memorability features as prime candidates to estimate the utility of information for cognitive systems.
Nathan Yau
FlowingData explores how statisticians, designers, data scientists, and others use analysis, visualization, and exploration to understand data and ourselves.
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Matt Richardson
Descriptive Camera
The basic premise is that you take a photo and the camera spits out a textual description of what it sees. The technology at the core of the Descriptive Camera is Amazon’s Mechanical Turk API.
