Claire Hentschker
Shining360 (2016) is a 30-minute audio-visual experiment
derived from the physical space within Stanley Kubrick’s film ‘The Shining.’
(photogrammetry)
link
Archived entries for video
Karl Klomp
hyperkinetic audio visuals
video circuit bending, video interruption, hardware interfacing and programming
Carsten Nicolai
unicolor 2014
“the installation unicolor examines the psychology of color perception..”
James Bridle
Robot readable World– Waving at the Machines
transcript
semiconductor
Play of Light
The digitally animated shadows are projected onto
two interior rough concrete walls, which mirror each other
Ruth Jarman and Joe Gerhardt
The invisible shape of things past
Joachim Sauter & Dirk Lüsebrink
The Invisible Shapes of Things Past are parametric translations of movies into space. Single frames from a film sequence are lined up in space, according to the camera movement with which they were shot. Through this translation of single frames consisting of single pixels (picture elements) into space, objects of voxels (volume elements) are generated.
art+com
vimeo
Doug Aitken
LIGHTHOUSE
Lighthouse is a site-specific earthwork located in Upstate New York, which wraps the exterior of a house with moving images of the surrounding landscape.
vimeo
Jason Salavon
Still Life II (Glassware) 2007
Custom software and industrial LCD panel.
link
United Visual Artists
UVA is a London based art practice that combines a wide range of disciplines including sculpture, installation, live performance, and architecture.
link
Hollis Frampton
Hollis Frampton’s Lemon (1969) examines the nature of vision, illusion, spatiality, and film. Unlike Frampton’s Nostalgia, Lemon is silent. It is a minimalist movie, in which a single static shot of a lemon continually changing in appearance as the light on screen changes. The film is thematically similar to Frampton’s Poetic Justice, which also examines film’s physical presence.
