Archived entries for artists
Mat Collishaw
All things fall
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Julio Le Parc
“Light was only a means,.. to concretize some of my preoccupations.”
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Nicolas Schöffer
spatiodynamic sculpture
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Claire Hentschker
Shining360 (2016) is a 30-minute audio-visual experiment
derived from the physical space within Stanley Kubrick’s film ‘The Shining.’
(photogrammetry)
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Pablo Valbuena
“…the primacy of subjective experience as a tool to
communicate and the use of light as prime matter.”
Augmented Sculpture
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Martin Molin
Wintergatan – Marble Machine
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open share
Artists and machine intelligence
Art has always existed in a complex, symbiotic and continually evolving relationship with the technological capabilities of a culture.
Jesse England
His output comprises a variety of gadgets, books, videos and assorted ephemera which comment on the changing landscape of contemporary media generation and consumption.
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Jacob Kirkegaard
London Subterraneous
takes the work of seventeenth century alchemist and scientist Athanasius Kircher as inspiration. Kircher was a polymath and inventor, who researched fields as diverse as medicine and Egyptology, and designed and constructed wondrous sound and vision automatons.
Andreas Müller-Pohle
Blind Genes. 2002
Following on Digital Scores, which represent the world’s first photograph (Niépce, 1826) in various digital encodings, Blind Genes are derived from a genetic database.
ZERO
“Zero is silence. Zero is the beginning. Zero is round. Zero turns. Zero is the moon. The sun is Zero. Zero is white. The desert Zero. The sky above Zero. The night – Zero flows. The Eye Zero. Navel. Mouth. Kiss. The milk is around. The Flower Zero the bird. Silently. Suspended. I eat Zero, Drink Zero, Zero I sleep, I wake Zero, I love Zero. Zero is nice, dynamo, dynamo, dynamo. The trees in the spring, the snow, fire, water, sea. Red orange yellow green blue violet indigo ZeroZero rainbow. 4 3 2 1 Zero. Gold and silver, smoke and mirrors. Wanderzirkus Zero. Zero is silence. Zero is the beginning. Zero is round. Zero is Zero. ”
– ZERO : Catalog Mack Piene Uecker- . Kestner Gesellschaft, Hannover 1965
Adrian Sauer
16,777,216 colors, 125 x 476, Digital C-Print, 2010
Each one of the possible 16,777,216 colours in the 8-bit color mode
is represented exactly one time, and randomly distributed, in the picture
Helmut Smits
Dead Pixel in Google Earth
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Doug Rickards
A New American Picture depicts American street scenes,
located using the internet platform Google Street View.
Ernst Chladni
Was one of the pioneers of experimental acoustics. His research on different kinds of vibrations served as the basis for the scientific understanding of sound that later emerged in the 19th century.
Smithsonian
Matt Richardson
Descriptive Camera
The basic premise is that you take a photo and the camera spits out a textual description of what it sees. The technology at the core of the Descriptive Camera is Amazon’s Mechanical Turk API.
Trevor Paglen
Trinity Cube (2015)
Irradiated broken glass collected from inside the Fukushima Exclusion Zone forms the outer layer of this sculpture. The work’s inner core is made out of Trinitite, the mineral created on July 16, 1945 when the United States exploded the world’s first atomic bomb near Alamogordo, New Mexico, heating the desert’s surface to the point where it turned surface sand into a greenish glass.
semiconductor
Play of Light
The digitally animated shadows are projected onto
two interior rough concrete walls, which mirror each other
Ruth Jarman and Joe Gerhardt
Gebhard Sengmüller
“A Parallel Image” is an electronic camera obscura. This media-archaeological, interactive sculpture is based on the fictive assumption that the currently still valid principle of electronically transmitting moving images, namely by breaking them down into single images and image lines, was never discovered.
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Light & Jelly
“Light & Jelly” is series of lamps cast in jelly
by Le Creative Sweatshop and
photographed by Fabrice Fouillet.
Lori Hepner
Korpo Gesture 2526
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Marco Fusinato
Marco Fusinato. Mass Black Implosion (Shaar, Iannis Xenakis). 2012
To make these drawings Fusinato chose a point on the page and then ruled a line from every note in the composition back to that point.
Julian Oliver
Steganography
Using a method known as as steganography, the volatile data is embedded into images matching ‘island getaway’ and ‘beach paradise’, a comforting counter-balance to the bleakness and anxiety enshrouding the NSA and GCHQ leaks.
Stoffel Debuysere
“All things move, all things run, all things are rapidly changing. A profile is never motionless before our eyes, but it constantly appears and disappears. On account of the persistency of an image upon the retina, moving objects constantly multiply themselves; their form changes like rapid vibrations, in their mad career. Thus a running horse has not four legs, but twenty, and their movements are triangular.”
— Umberto Boccioni, ‘Futurist Painting: Technical Manifesto’ (1910)
Lucas Blalock
I started to think of the real and the false in this way partially through Jean-Luc Godard, which, in turn, led me to Bertolt Brecht’s ideas about theatre, and gave me a model for thinking about photography. link
lucasblalock.com
Evgeny Morozov
Political and social implications of technology.
Tegenlicht
Theguardian
Against Solutionism
!MEDIENGRUPPE BITNIK
«Opera Calling» was an artistic intervention into the cultural system of the Zurich Opera. By means of audio bugs placed within the auditorium of the local opera house, the outside public is given access to the performances on stage. The performances are retransmitted to the public not through broadcasting, but by telephoning each person individually.
Emma McNally
Traversal (Gouache on paper, 2012)
The turbulence between noise and signal.
artforum
Walead Beshty
Six Color Curl (CMMYYC: Irvine, California, July 19th 2008,
Fuji Crystal Archive Type C, 2008
Beshty’s unexposed film was damaged by airport security X-ray machines while traveling to Berlin. Having discovered this, he proceeded to use the film and pass it through the scanners once again on his return journey.
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