virtually any object
123D Catch is a free app that lets you create 3D scans of virtually any object.
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123D Catch is a free app that lets you create 3D scans of virtually any object.
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It’s a Mistake to Mistake Content for Content.
The camera doesn’t work for us. We work for the camera.
Context is the new content.
Flusser claimed that the content of any given photograph
is actually the camera that produced it.
Shahbazi’s arrangements highlight similarities between pictures from different genres and point to structural parallels between outside and inside, organic and manufactured, and the natural and constructed landscape.
“Twentysix Gasoline Stations, Every Building on the Sunset Strip, Thirtyfour Parking Lots, Nine Swimming Pools, A Few Palm Trees, No Small Fires” is a modern remake of some of Ruscha’s famous books, all grouped in one volume. Unlike the original books it relates to, this work was made entirely at my Berlin studio. I didn’t visit Los Angeles to make the book and I didn’t use a camera either. The camera is out there.”
Twenty six gasoline stations
The photographs are of petrol stations, along the highway between Ruscha’s home in Los Angeles and his parent’s house in Oklahoma City
Assembled between 2008 and 2011, this series of ninety-six books explores the themes and visual patterns presented by modern everyday, amateur photographers. Images found on photo sharing sites such as Flickr have been gathered and ordered in a way to form a library of contemporary vernacular photography in the age of digital technology and online photo hosting.
The series Other People‘s Photographs includes these titles: Airline Meals · Airports · Another Self · Apparel · At Work · Bags · Big Fish · Bird’s Eyes · Black Bulls · Blue · Bread · Buddies · Cash · Cheques · Cleavage · Coffee · Collections · Colour · Commodities · Contents · Currywurst · Damage · Digits · Documents · Dogs · Drinks · Encounters · Evidence · Eyes · Faces in Holes · Fauna · Feet · First Shots · Fish · Flashing · Food · Fridge Doors · Gathered Together · Gender · Geology · Hands · Happy Birthday · Hotel Rooms · Images · Impact · In Motion · Indexes · Information · Interaction · Kisses for Me · Lego · Looking · Maps · Mickey · Models · More Things · Mugshots · News · Nothing Wrong · November 5th, 2008 · Objects in Mirror · On the Road · Parking Lots · Pictures · Pizza · Plush · Portraits · Postcards · Purple · Pyramids · Real Estate · Red · Room with a View · Self · Sex · Shadow · Shirts · Shoes · Silvercup · Sites · Size Matters · Space-Time · Statues · Sunset · Surface · Targets · Television · The Other Picture · The Picture · Things · Trophies · Tropic of Capricorn · Various Accidents · Wanted · Writings · You Are Here.
Photography Changes Everything
Photography Changes Everything—drawn from the online Smithsonian Photography Initiative—offers a provocative rethinking of photography’s impact on our culture and our lives.
Suns (From Sunsets) from Flickr, 2006-ongoing
This is a project I started when I found 541,795 pictures of sunsets searching the word “sunset” on the image hosting website, Flickr. I cropped just the suns from these pictures and uploaded them to Kodak, making 4″ x 6″ machine prints from them.
First I Was Afraid, I Was Petrified
First I was afraid, I was petrified consists of a huge collection of Polaroids, discovered by Harland Miller, each of which show a gas cooker turned to ‘off’ − the only physical/visual proof that can allow the sufferer of Obsessive Compulsive Disorder to be free to leave the house without nagging doubt.
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The Vice City collection deals with landscape. In the video games, it holds a secondary role, set as a simple background for the plot. The slow motion of my walks led me to explore the spaces that are usually forgotten by players.
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Attracted to Light from the Long Exposure
“Attracted to Light narrates the erratic behavior of a moth upon the stimulus of light,” Mann has explained. The insect’s path through the air is captured using cinematic technology and materialized through rapid prototyping (also called 3D printing). The design is part of Mann’s Long Exposure series, which also features lamps based on the trajectories of a bird in flight, taking off, and landing.”
We provide unmediated platforms where their vision can be expressed without compromise, free of commercial content or editorialization.
At Source we have a collection of oral history style interviews in which people involved in photography talk about their work.
“this is where i put research on photography, philosophy, writing & visual culture.”
publish emerging photographic work and engage with the latest in contemporary photography through news, thoughtful features and reviews of the latest exhibitions and books from Ireland and the UK.
We look for exciting work from every continent, and from diverse points of view: documentary, fine art, nature, photojournalism, activism, street photography, sports, fashion, poetic, personal, abstract and human.
Conscientious is a website dedicated to contemporary fine-art photography. It offers daily profiles of photographers, in-depth interviews, exhibition and book reviews, and general articles about photography and related issues.
Anon, “Satan Malade,” from Les Diableries, c. 1861,
hand-tinted stereocard (detail)
Certainly the most remarkable body of work made for stereo viewing, however, wasLes Diableries, a suite of 72 cards published anonymously in Paris, 1861. Produced during the rise of the Second Empire, Les Diableries‘s sculptural visions of satanic torture and merriment would have meant swift imprisonment for the artists under Napoleon III’s authoritarian rule.
The Origin Of Species, Charles Darwin — Evolutionary Edition
A typographic edition of Charles Darwin’s “The Origin of Species” showing all the evolutionary changes made to the book over the last 154 years.
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The process of creation transcends a single medium and instead finds outlet within the archetype of an opera, the architecture of a building, the stains in a watercolor drawing, the design of a chair, the choreography of a dance, the rhythm of a sonnet, or the multiple dynamics revealed in a Video Portrait.
The American Society for the Conservation of Gravity
The Society was formed by a group of concerned citizen-scientists who felt the need to alert the public to mankind’s ultimate disaster. The incessant irresponsible squandering of man’s most precious terrestrial resource by an unthinking, unknowing populace has to be stopped!
Robert Frank’s The Americans is one of the most iconic photographic projects of the 20th century… This classic project was the starting point for Toronto-based artist Dafydd Hughes’ Every Face in the Americans, which saw him ‘feed’ Frank’s collection of photographs to iPhoto’s facial recognition algorithm to recontextualize the work as the basis of a web archive and a print on demand book.
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Martin Creed’s Work No. 227: The lights going on and off consists of an empty room which is filled with light for five seconds and then plunged into darkness for five seconds.
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Eyes on the Sky – Weather as data paintings
Eyes on the Sky is a process-based investigation into generative design and the weather. Jed Carter linked 64 public-access web cameras across Europe, recording the colour of the sky, at each point, at regular intervals and produced a book that collects a week of paintings where cameras paint the weather, once every hour.
Pepper’s ghost is an illusion technique used in theatre, haunted houses, dark rides, and magic tricks. It is named after John Henry Pepper, a scientist who popularized the effect in a famed demonstration in 1862.
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CAN’s central objective has been to facilitate a productive scenius that nurtures creative intersections, exchanges and networks between practitioners in art, media, design and technology.
483 nylon threads with projections calibrated in 3D to the 16m threads using Rulr, an open source node-based toolkit developed by the studio.
Photomediations: An Open Reader is an open, wiki-based part the online project Photomediations: An Open Book, led by Professor Joanna Zylinska. An experiment in open and hybrid publishing – as well as a celebration of the book as a living object .
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