Latest Entries

Luminous Lint

Luminous-Lint has been constructed collaboratively over the last decade to share information on the history of photography worldwide.
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Henry Fox Talbot

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Photomicrograph of a crystal – study of polarized light 1851 (ca)

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Hiroshi Sugimoto – Theaters

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Ohio theater-1980
Suppose you shoot a whole movie in a single frame?
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Fraenkel Gallery

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Carleton E. Watkins
Gallery

Hiroshi Sugimoto

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Colors of Shadow
“I’ve only just begun my observations, but already I’ve discovered a sublime variety in shadow hues.”
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Southworth & Hawes

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Captain Jonathan W. Walker’s Branded Hand

Daguerreotype, 1845

A Florida seamen originally from Cape Cod, Captain Jonathan Walker was sympathetic to the plight of the slaves. In 1844 he made an unsuccessful attempt to aid a group of seven to freedom by sailing them to the West Indies. Walker paid for his part in the venture with a year in solitary confinement, a $600.00 fine, and the branded letters “s.s.” for “slave stealer” on his right palm.

From The Daguerreotypes of Southworth & Hawes

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American Suburb X

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ASX CHANNEL: LEWIS BALTZ
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Philip-Lorca diCorcia

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Hustlers & Thousand

Dillonde Waters

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In Every Atom Are A Hundred Blazing Suns

Joseph Desler Costa

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Urethane Foam and Gaff Tape Construction, 2015
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Shannon McGrath

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Darkness by Day

Martin Parr

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Robert Irwin

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Seeing Is Forgetting the Name of the Thing One Sees

Walker Evans

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The Case of the Inappropriate Alarm Clock

Daguerrotype of Couple Holding Daguerrotype

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Daguerrotype of Couple Holding Daguerrotype Unknown Artist-1850
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Uta Barth

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Eugène Atget

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Saint-Cloud (Hêtre), 1919/1921, 2002.73.15

Anna Atkins

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Photographs of British Algae: Cyanotype Impressions, 1843

Adriaen Coorte

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Still Life with Asparagus, Adriaen Coorte, 1697

Abelardo Morell

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Camera obscura

Stephan Tillmans

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Luminant Point Arrays

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Adam Fuss

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Pablo Garcia

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Rendering of Muybridge Plate 624 fully extruded through all twelve frames

Caught in between two paradigms, I found myself nurturing two separate impulses: deep historical research into old, forgotten technologies and inquiry into new and future media

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Robert Cornelius

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“Grand Old Man” of American lighting.

After Photography

“The photograph becomes the initial research, an image draft, as vulnerable to modification as it has always been to recontextualization.”

After Photography
By Fred Ritchin
W. W. Norton & Company (2010)

 

Susan Derges

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Star Field Crossing, 2013

Fully submerging photographic paper into moving bodies of water

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Luke Evans and Josh Lake

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Untitled’ from Xero, 2014

Inside Out.

Lake and Evans swallowed rolls of 35mm film and had his digestive enzymes ‘process’ the film. The duo “deposited” their film inside of a darkroom, washed the negatives, and printed their results.

Luke Evans

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Josh Lake

A history of the eye

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“The eye is like a mirror, and the visible object is like
the thing reflected in the mirror.”
— Avicenna, early 11th century

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Nick Knight

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on instagram

Photosynth

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Blaise Aguera y Arcas

Sherrie Levine

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In 1936 Walker Evans photographed the Burroughs, a family of sharecroppers in Depression era Alabama. In 1979 in Sherrie Levine rephotographed Walker Evans’ photographs from the exhibition catalog “First and Last.” In 2001 Michael Mandiberg scanned these same photographs, and created AfterWalkerEvans.com and AfterSherrieLevine.com to facilitate their dissemination as a comment on how we come to know information in this burgeoning digital age.



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